The best schools nurture the teachers who work there as well as the students who learn within the walls. Learning from our colleagues deserves time and attention, as it opens up new ideas about what professional development should be. Changing outcomes in classrooms requires teachers to challenge what they know and what they think is developmentally appropriate, and to reach beyond pedagogical techniques.
In our experience, this can happen only in an environment that is respectful of differences in viewpoint, supportive in trying something new, and mindful of the willingness of teachers to shed their sensitivity and isolation. Teachers who have grown accustomed to working alone transform their thinking into creating solutions as they share with their colleagues. This transformation in teaching practices can happen only in an environment where collaboration and discussion are highly valued.
Teaching for creativity involves asking open-ended questions where there may be multiple solutions; working in groups on collaborative projects, using imagination to explore possibilities; making connections between different ways of seeing; and exploring the ambiguities and tensions that may lie between them. There is much about the Reggio Emilia approach that distinguishes it from other efforts to define best practices in early childhood education.
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George Forman and Brenda Fyfe describe the hundred languages of children as symbolic languages children use to express their own knowledge and desires through artwork, conversation, early writing, dramatic play, music, dance, and other outlets. Recognizing that at the very core of creativity is our desire to express ourselves, Reggio Emilia schools create environments that inspire and support creative thinking and invention.
If building and sustaining relationships are to be the foundation of a learning community, then creativity must always be present. Creativity is the conduit—the instrument that allows us to communicate with and understand others. At Pinnacle, every learning space has paper and writing instruments.
In the imaginary play spaces within the classrooms and the playground outside, children are actively writing and drawing. It becomes a part of the culture of learning, a process that is internalized within the group.
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We have made a conscious effort to steer away from purchasing ready-made materials, such as pre-cut foam pieces or rubber stamps, and instead spend resources on paper, clipboards, and multiple forms of writing and drawing tools. Asking children to draw what they see and then revisit the subject later to add yet more detail is the very essence of scientific observation. When the tarantula joins the classroom, teachers place magnifying glasses, small clipboards with paper, and markers next to the terrarium.
They place nonfiction books about spiders on the shelf near the terrarium and display close-up pictures of different kinds of spiders. Rather than instructing the children, the teachers set up the provocation and then take a step back. In Reggio Emilia-inspired schools, teachers place great emphasis on using materials and activities that provoke investigation and group learning. As expected, being curious and inventive little people, the children are very excited about the new spider addition to their classroom.
They closely watch the tarantula, using the magnifying glasses to see the details and then drawing what they observe. Change requires theories of motivation and learning based on advances in neurobiology and cognitive studies.
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Get A Copy. More Details Other Editions 1. Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about To Want to Learn , please sign up. Lists with This Book. Free download. Book file PDF easily for everyone and every device. This Book have some digital formats such us :paperbook, ebook, kindle, epub, fb2 and another formats. Springer Love this post Kate, so well put together! Who Plays in the Musical Zoo? Blue Holiday. Special order items. Is it left to the set up to provoke or does the teacher take on this role?
It is easy to do an Internet image search using the words Reggio-inspired provocation to see the preponderance of tabletop displays. What makes these images provocations? What makes them Reggio-inspired? What does it even mean to be inspired by Reggio? For me it is about being in dialogue with the educational project that is the Reggio Emilia Approach and the principles and philosophy connected to it. I prefer not to use the word inspired because it needs to run deeper than that.
I see myself as provoked by the Reggio Emilia Approach. It incites me to think deeply, to debate and discuss. When I last visited the schools of Reggio Emilia in , I was listening intently for the use of the word provocation which I did not hear. I did hear the word proposal. A proposal is an act of putting forward or stating something for consideration.
I am choosing to complicate what has become known as a provocation. I propose that instead of seeing the set up as a provocation to see ourselves as provocateurs. If new tabletop provocations are provided each day, something is missing. Time is needed for children to engage, experiment and express theories and ideas. Time is needed for the teacher to document and consider how to continue to provoke, arouse and stimulate. Do children need a sign with a prompt and a beautiful set up to be provoked? Are baskets of materials or shelves of blocks also enticing and stimulating to children?
Are they not provocations? Or are they invitations? Does it matter when it is the teacher that provokes? I am still struggling with the way that term has been used but I hope this post provokes others to help me understand the perplexing persistence of provocations. I look forward to your insights. Please offer some provoking producing comments! To me a provocation is something that the instructor offers to the children after having observed their play over a period of time.
Once the current play activity has lived out its ability to provide opportunities for growth, one should introduce materials?
Information, to get the children to think further and extend their play. For example the children in my class were fascinated with stacking cups and building towers with them. Over the course of two weeks, the children became very familiar with all aspects of building with cups. Their play and interest was beginning to dwindle. In order to spark interest and keep them learning, various types of sticky tape was placed in the building center. Giving children time to explore in depth enables them to create their own learning and understanding. Like Liked by 1 person.
I agree with Maria. The way my mentors taught me is the set-up, like the pictures in the blog post, is the Invitation. I believe a provocation is to spark an interest but without an intention, something to extend their play. To create the awe and wonder not objective led However, I also believe the adult plays a crucial role and needs to engage in dialogue when facilitating conversations.
I enjoy reading your articles and I love a critical stance to the power of language. Like Like. Love love love this post.
To Want to Learn: Insights and Provocations For Engaged Learning
It for me really gets to the heart of the missing part in most our thinking, mine included. The role of the educator. Welcome to Loot. Checkout Your Cart Price. Description Details Customer Reviews Lack of learner motivation is the single greatest challenge before American schools and colleges.
When students are self-motivated, they invest more and work harder at learning even if resources are inadequate. Jackson Kytle's provocative book argues that students and teachers waste time and human energy because the conventional curriculum rests on flawed mental models. Hope for change requires a searching critique of modernity as well as expanded theories of human motivation and learning based on advances in neurobiology and cognitive studies.
After consideration of existentialism and choice of life purposes, and the dynamics of psychological involvement, Kytle closes his ambitious, interdisciplinary book with ten considerations for better learning. Review This Product No reviews yet - be the first to create one! Need help?